Sigma Unveils Four New Lenses Featuring Groundbreaking Superzoom for Travelers

Sigma has unveiled an exciting lineup of four new lenses, set to enhance the photography and videography experience for enthusiasts and professionals alike. The Japanese lens manufacturer is introducing three new still photography lenses, including the world’s first autofocus 135mm f/1.4 lens, alongside its first autofocus cinema lens. All four lenses will be available in both L-Mount and Sony E-mount formats, with a launch date scheduled for September 25, 2025, except for the cinema lens, which will follow in November.
Innovative Portrait Photography with the Sigma 135mm F1.4 DG Art
The standout product in Sigma’s new lineup is the Sigma 135mm F1.4 DG Art lens. This lens is being marketed as the world’s first autofocus 135mm lens with a maximum aperture of f/1.4. Traditionally, autofocus lenses in this focal length have maxed out at f/1.8, making this development significant for low-light photography and achieving beautiful bokeh effects. Sigma claims that the effective aperture diameter of this lens creates bokeh that surpasses even its renowned 105mm F1.4 “Bokeh Master,” making it an excellent choice for portrait photographers.
Weighing in at 50.4 ounces (1,430 grams) and measuring 135.5mm in length, this lens is not the lightest option on the market. However, it features an Arca-Swiss compatible magnesium alloy tripod socket, which is beneficial for extended shooting sessions. Photographers can expect exceptional sharpness and background separation, making this lens a strong contender for those looking to elevate their portrait photography.
Refined Performance with the Sigma 35mm F1.2 DG II Art
Another notable addition is the Sigma 35mm F1.2 DG II Art lens, which arrives six years after its predecessor, the original world’s first 35mm f/1.2 mirrorless lens. This new version is approximately 30% lighter and 20% shorter than the previous model, yet Sigma has managed to enhance its optical performance. The lens is designed to deliver the coveted f/1.2 look, providing sharpness where needed and creamy bokeh where desired.
Sigma has also focused on minimizing focus breathing, making this lens suitable for both still photography and video work. The improvements in chromatic aberration correction and sagittal coma flare further enhance its appeal, ensuring that photographers can achieve high-quality results in various shooting conditions.
Versatile Zoom Capabilities with the Sigma 20-200mm F3.5-6.3 DG Contemporary
The Sigma 20-200mm F3.5-6.3 DG Contemporary lens is being touted as the world’s first 10x zoom lens that starts at an ultra-wide 20mm focal length, specifically designed for full-frame mirrorless cameras. This lens aims to cater to photographers seeking a versatile option that can handle a wide range of shooting scenarios. The 20mm wide end opens up creative possibilities that traditional high-power zooms cannot match, while the 200mm telephoto reach is ideal for capturing everything from portraits to sports.
Weighing just 19.4 ounces (550 grams) and measuring 115.5mm in length, this lens is particularly appealing for travel photographers who want to pack light without compromising on creative options. The maximum magnification ratio of 1:2 at focal lengths between 28-85mm also adds macro capabilities, further enhancing its versatility.
Sigma’s Entry into Autofocus Cinema Lenses
Completing the lineup is Sigma’s first autofocus cinema lens, the 28-45mm T2 FF, set to launch on November 6. This lens is built on the optical system of Sigma’s acclaimed 28-45mm F1.8 Art lens but incorporates professional video features such as industry-standard 0.8M pitch gears, a limited-rotation focus ring, and a clickless aperture ring. The HLA autofocus system promises near-silent operation, which is crucial for video production.
At 42.3 ounces (1.2 kilograms), this lens is substantial but aligns with the expectations of the cinema industry. The inclusion of a lens support foot and professional-grade features indicates Sigma’s commitment to competing with established cinema lens manufacturers.
With these four new lenses, Sigma is clearly signaling its dedication to the mirrorless market. The pricing for the new lenses is as follows: the 135mm F1.4 is priced at $1,899, the 35mm F1.2 II at $1,499, the 20-200mm F3.5-6.3 at $999, and the 28-45mm T2 FF cinema lens at $3,399. These offerings provide excellent value compared to first-party alternatives, making them an attractive option for photographers looking to expand their lens collections.
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