Laapataa Ladies Excluded from Oscars 2025 Shortlist

The Academy of Motion Picture Arts and Sciences recently unveiled its shortlist for the Best International Feature Film category for the 2025 Oscars. Among the 15 films selected, notable global contenders like Emilia Perez and From Ground Zero made the cut. However, India’s official entry, Laapataa Ladies, directed by Kiran Rao and produced by Aamir Khan, was notably absent. This exclusion has reignited discussions about India’s strategy for the Oscars and the selection process of its official entries.

Controversy Surrounding India’s Entry Selection

The decision to nominate *Laapataa Ladies* as India’s official entry was met with significant backlash earlier this year. Critics argued that *All We Imagine As Light*, a film by Payal Kapadia that won accolades at Cannes, would have been a stronger choice. The failure of *Laapataa Ladies* to secure a spot on the Oscars shortlist has intensified criticism directed at the Film Federation of India (FFI).

Social media users have voiced their frustrations, with one user stating, “FFI snubbed *AWIAL*, destroying our chances to be on the list. The Film Federation of India requires a full revamp.” Another user lamented, “A shattering humiliation for India. If the only measure of success is to make choices that make you competitive, they have utterly failed.” This sentiment reflects a growing discontent with the FFI’s decision-making process regarding film selections for international recognition.

*Laapataa Ladies* tells the story of two brides who are mistakenly interchanged in rural India during the 1990s. The film received praise for its unique narrative and strong performances from both newcomers and established actors. In contrast, *All We Imagine As Light* has consistently garnered attention on the international stage, winning the Grand Prize at Cannes and receiving nominations for prestigious awards like the Golden Globes and Criticsโ€™ Choice Awards.

Critical Reception of Laapataa Ladies

Despite its absence from the Oscars shortlist, *Laapataa Ladies* has been well-received by critics. The film explores themes of identity and societal norms through the lens of two brides whose lives become intertwined due to a mix-up. Kiran Rao’s direction has been praised for its sensitivity and depth, bringing a fresh perspective to the narrative.

The cast includes talented newcomers Sparsh Srivastava, Pratibha Ranta, and Nitanshi Goel, alongside seasoned actors like Ravi Kishen and Chhaya Kadam. Their performances have been highlighted as a strong point of the film, contributing to its overall acclaim. Critics have noted that the film’s portrayal of rural life in India during the 1990s adds a layer of authenticity and richness to the storytelling.

While *Laapataa Ladies* may not have made it to the Oscars shortlist, its critical reception suggests that it has made a significant impact within the Indian film industry. The film’s exploration of complex themes resonates with audiences, and it remains a noteworthy entry in the landscape of contemporary Indian cinema.

Positive News for Indian Cinema

While *Laapataa Ladies* did not advance in the Oscars race, there is some positive news for Indian cinema. The film *Santosh*, a UK-based Hindi film directed by Sandhya Suri, has made it to the Oscars shortlist as the UKโ€™s official entry. This recognition highlights the growing presence of Indian stories in international cinema, even if they are not always represented by India itself.

*Santosh* features Indian actors Shahana Goswami and Sunita Rajwar, and its inclusion in the Oscars shortlist is a testament to the talent and creativity present in the Indian film industry. This development offers a glimmer of hope for Indian filmmakers and actors seeking international recognition.

As the Oscars approach, the conversation around India’s representation in global cinema continues. The exclusion of *Laapataa Ladies* may serve as a catalyst for change within the Film Federation of India, prompting a reevaluation of how films are selected for international competition. The hope is that future entries will better reflect the diverse and rich storytelling that Indian cinema has to offer.


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