Sooraj Barjatya’s Unique Film-Making Rules Revealed

In a recent interview with Mayank Shekhar of Mid-Day, filmmaker Sooraj Barjatya shared insights into his creative process and the guiding principles of his production house, Rajshri Productions. Known for his family-friendly films, Barjatya emphasized the absence of conventional villains and a strict limit on action sequences. His latest project, the web series Bada Naam Karenge, continues this tradition, showcasing his commitment to storytelling that resonates with audiences of all ages.

Family Values Shape Storytelling

Sooraj Barjatya discussed the foundational beliefs that guide his filmmaking. He explained that his father, Rajkumar Barjatya, and grandfather, Tarachand Barjatya, recognized the necessity of conflict in storytelling but preferred to frame it as circumstances rather than traditional villains. For instance, in the classic film Hum Aapke Hain Koun (1994), the death of a character serves as a pivotal circumstance that drives the narrative. Similarly, in Maine Pyar Kiya (1987), the emotional turmoil faced by the characters is a result of situational challenges rather than a villain’s actions. Barjatya’s approach allows for a more relatable and less violent storytelling experience, which he believes is essential for family viewing.

The 14-Punch Rule: A Unique Approach to Action

In a lighthearted moment, Barjatya introduced his “14-punch rule,” which limits the number of punches in fight scenes to just fourteen. He humorously noted that action directors often have a tendency to extend fight sequences, leading to excessive violence. To maintain a balance, Barjatya established this rule to ensure that action remains minimal and appropriate for all audiences. He stated, “The idea was that families should be able to see the film together,” highlighting his commitment to creating content that can be enjoyed by viewers of all ages. While there have been instances where he deviated from these guidelines, he noted that the films adhering to these principles have consistently resonated with audiences.

Reflecting on Past Projects

Barjatya also took the opportunity to reflect on his past work, particularly the film Main Prem Ki Diwani Hoon (2003), which did not perform as expected at the box office. This experience prompted him to return to his roots and the core values that have defined his successful films. He acknowledged that while experimentation is a part of the creative process, sticking to the foundational principles of storytelling has proven to be more effective in connecting with audiences. His commitment to these values continues to shape his current and future projects, including Bada Naam Karenge.

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