A.R. Rahman Sounds the Alarm on AI in Music: “The Songs”
In 2024, the film Lal Salaam, featuring the iconic Rajinikanth, sparked significant conversation with its song Thimiri Yezhuda. The focus of the discussion was on music maestro A.R. Rahman’s innovative use of Artificial Intelligence to recreate the voices of late singers Bamba Bakya and Shahul Hameed. While many fans found this approach heartfelt, it also raised ethical questions about the implications of using AI to resurrect the voices of deceased artists.
Rahman’s Caution on AI in Music
A.R. Rahman recently shared his thoughts on the increasing integration of AI in the music industry during an interview with PTI. He emphasized the importance of exercising caution and responsibility when utilizing this technology. Rahman acknowledged the creative opportunities AI presents but warned against its potential misuse. He expressed concern over the quality of some songs produced using AI, stating, “Some of the songs are so filthy, yet they come out with the voices of popular singers. It needs to be controlled because if it’s not, there’ll be chaos.”
He elaborated on the dual nature of AI, noting that while it can empower artists who have previously lacked opportunities, its overuse could lead to detrimental effects. Rahman likened the misuse of AI to “mixing poison with oxygen,” underscoring the need for guidelines similar to ethical standards in society. He highlighted the necessity of establishing rules to govern AI’s application in music to prevent negative consequences.
Addressing Criticism from Peers
In the wake of criticism from singer Abhijeet Bhattacharya, who accused Rahman of undermining live music through excessive reliance on technology, Rahman defended his artistic choices. Bhattacharya argued that Rahman’s approach disrespects traditional musicians and contributes to job losses in the industry. In response, Rahman clarified that his use of technology is not intended to replace live musicians but to enhance the overall music-making process.
He expressed his support for musicians and described technology as a means to explore new creative avenues. Rahman acknowledged the criticism, stating, “It’s nice to blame me for everything. I still love Abhijeet, and I would send cakes to him.” He emphasized that differing opinions are valid and contribute to the ongoing dialogue about the future of music.
Commitment to Musicians and Future Projects
Rahman also highlighted his commitment to supporting musicians, sharing that he recently established an orchestra comprising 60 women in Dubai, providing them with employment and benefits. He noted that in every film project he undertakes, he collaborates with a large number of musicians, often involving hundreds in the production process. Rahman explained that while he may not always showcase these collaborations publicly, they play a crucial role in his work.
Looking ahead, A.R. Rahman is set to reunite with renowned director Mani Ratnam for the upcoming film *Thug Life*, which stars Kamal Haasan. This highly anticipated project is scheduled for release in theaters across India on June 5, further solidifying Rahman’s influential presence in the music and film industries.
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